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I have both and use the Peterson most of the time as it fits in the seat, but the Conn is still slightly more versatile but has no memory so you have to memorize you desired offsets or write them down. The biggest negative of the Conn is size. The auto-sensing capability of the Peterson does not allow you to see the G# overtone on the E string, however. You can also easily check drop in the cabinet in much the same way, although this is not hard to do on a Peterson, as well. This is made possible when the horn is set up correctly. Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition.
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And this is with minimal embouchure adjustments - remember its a soprano. See the motionless lines in bands 6 That is what even intonation looks like on a strobe tuner. Comes with the original external microphone that is stored in the back of the unit for tuning. 1935 Conn 10M For Sale 1938 Conn 4M Curved Soprano The seldomly seen Conn 4M Soprano. If you turn the cents knob flat, you can see just how flat the third is when the dots appear stopped. Used (normal wear), Vintage unit In good working condition. Now the display is showing the G# overtone on the E. Set the note selector to G# and pick the E string again. This will allow you to tune your thirds flat so you sound as beatless as possible.įor example, tune your E note "straight up" 440.
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These tuners have the same accuracy as the Petersons and they allow you to see just how flat the overtones on each string are.